Slow Burn

Coming May 13: Host Susan Matthews traces the rise of Neil Gorsuch, from his formative years as a young conservative through his nomination to a “stolen seat” on the U.S. Supreme Court. Through interviews, legal analysis, and archival research, the mild-mannered Westerner emerges as the court’s most unpredictable—and most important—sitting justice. Hosted on Acast. See acast.com/privacy for more information.

We are lucky to get fantastic questions from our listeners here at Decoder Ring, and in this episode, we’re going to open up our mailbag to answer three of them. What are the origins of an eerie horror film string motif? Why do companies insist on telling callers to “listen closely” to menu options that could not possibly have changed? And when did we start using the indispensable eye roll? In this episode, you’ll hear from historical musicologist Frank Hentschel, as well as Eli Spindel, artistic director of the String Orchestra of Brooklyn. We also speak with writer Nick Greene, Holdcom CEO Andrew Begnoché, and linguist Dr. Rebecca Clift. This episode was produced by Katie Shepherd and Evan Chung, our supervising producer. Decoder Ring is also produced by Max Freedman. Merritt Jacob is Senior Technical Director. Special thanks to Nicole Holliday, and to Leilehua Lanzilotti, whose website Shaken Not Stuttered is a fantastic resource about extended techniques for strings. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281. Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.

Money is everywhere. Money influences just about everything. We think about money all the time. But how much do we really know about it? In this episode of Decoder Ring, we explore the obscure historical forces that make our money what it is and behave the way it does. We ask two simple-sounding questions with surprising answers: Why is our money called the dollar—and where are those dollars really coming from? First, you’ll hear from Brendan Greeley, a veteran finance reporter turned economic historian, and author of the new book, The Almighty Dollar: 500 Years of the World’s Most Powerful Money. Then, we get help from Mark Blyth, a political economist at Brown University who teaches about the architecture and plumbing of global finance. This episode was written by Willa Paskin and Max Freedman and produced by Max Freedman. Decoder Ring is also produced by Katie Shepherd and Supervising Producer Evan Chung. Merritt Jacob is our Senior Technical Director. Thank you to Lizzie O’Leary. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281. Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.

In the summer of 2006, a teenage girl began posting video diaries to a then-new site called YouTube under the handle lonelygirl15. Within weeks she was a phenomenon—even though no one knew the truth of who she really was. The frenzied quest to change that, to solve the mystery of lonelygirl15, would ultimately land her on the front page of newspapers and the covers of magazines. Twenty years on, lonelygirl15 is both an artifact of an earlier online era and an origin point for the internet as we know it: a place full of video diaries, parasocial relationships, influencers, hyper-engaged fandoms, and the knowledge that you can’t always believe your eyes. In this episode, you’ll hear from some of the people who investigated lonelygirl15 way back in 2006: culture critic Virginia Heffernan, who writes the Substack Magic + Loss and co-hosts the podcast Omnishambles; entertainment journalist Richard Rushfield of The Ankler; Emmy Award-winning producer Jenni Powell; and one-time cybersleuth Chris Patterson. We also speak with the people involved in making lonelygirl15: Miles Beckett, Mesh Flinders, Jessica Rose Phillipps, and Amanda Goodfried. This episode was written by Willa Paskin and Evan Chung, Decoder Ring’s Supervising Producer. Decoder Ring is also produced by Willa Paskin, Katie Shepherd, and Max Freedman. Merritt Jacob is Senior Technical Director. Thank you to Greg Goodfried, Matt Foremski, and Tom Foremski. Special thanks to Ryan Broderick and Grant Irving of the podcast Panic World, who introduced Willa to the lonelygirl15 story on a recent episode of their show and suggested it might make a good topic for Decoder Ring. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281. Sources for This Episode Cresci, Elena. “Lonelygirl15: how one mysterious vlogger changed the internet,” The Guardian, June 16, 2006. Davis, Joshua. “The Secret World of Lonelygirl,” WIRED, Dec. 2006. Falconer, Ellen. “An oral history of lonelygirl15,” RNZ, June 16, 2016. Flemming, Brian. “Arguments for a real LG15 fall short,” Brian Flemming's Weblog, Aug. 25, 2006. Foremski, Matt and Tom Foremski. “SVW Exclusive: The identity of LonelyGirl15,” Silicon Valley Watcher, Sep. 11, 2006. Foremski, Tom. “How the secret identity of LonelyGirl15 was found,” Silicon Valley Watcher, Sep. 12, 2006. Foremski, Tom. “The Hunt for LonelyGirl15: Life in a blogger household…,” Silicon Valley Watcher, Sep. 12, 2006. Glaister, Dan. “Cult blog a fake, admit 'lonelygirl' creators,” The Guardian, Sep. 9, 2006. Heffernan, Virginia and Tom Zeller Jr. “The Lonelygirl That Really Wasn’t,” New York Times, Sep. 13, 2006. Heffernan, Virginia. “A Pause for Some Words From Bree,” New York Times, Aug. 23, 2006. Heffernan, Virginia. “Sweet, Weird, Fraud or Other,” New York Times, Aug. 24, 2006. “LGPedia,” LG15, 2016. “lonelygirl15 and when lies could be fun,” Panic World, Feb. 4, 2026. “Lonely Girl And All Her Friends,” On the Media, Sep. 1, 2006. Nudd, Tim. “Lonelygirl15 still a mystery, for now,” ADWEEK, Sep. 1, 2006. Rushfield, Richard and Claire Hoffman. “Lonelygirl15 Video Blog Is Brainchild of 3 Filmmakers,” Los Angeles Times, Sep. 13, 2006. Rushfield, Richard and Claire Hoffman. “Mystery Fuels Huge Popularity of Web’s Lonelygirl15,” Los Angeles Times, Sep. 8, 2006. Wendt, Milo A. “LonelyGirl15: It's Not So Lonely In The Bay Area,” milowent, Aug. 30, 2006. Hosted on Acast. See acast.com/privacy for more information.

For over a century, fans of Sherlock Holmes have been analyzing, debating, and creating new texts with Arthur Conan Doyle’s characters. But when a fan theory emerged about the BBC TV show Sherlock that posited the inevitability of a gay romance between Sherlock Holmes and Dr. John Watson—it wreaked havoc on the community. In this episode, which originally aired in 2018, we explore the Johnlock Conspiracy, with help from historians, journalists, and the fans at the heart of the controversial idea. It’s almost a Holmesian tale itself, full of brilliant theories, false leads and mysterious motives—except for the ending, which, unlike in a Holmes story, isn’t very neat. This episode was written by Willa Paskin. It was produced and edited by Benjamin Frisch, who also created the episode art. Shasha Leonárd provided production assistance, and Danielle Hewitt helped us fact check the episode. Decoder Ring is also produced by Katie Shepherd, Max Freedman, and Evan Chung, our supervising producer. Merritt Jacob is Senior Technical Director. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281. Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.

When Eyes Wide Shut opened in the summer of 1999, it was widely considered a disappointment. This final film from legendary director Stanley Kubrick had been sold as an erotic thriller, and potentially even a peek into the real sex lives of its then-married stars, Tom Cruise and Nicole Kidman. But Eyes Wide Shut was stranger than that: a meditative art film whose much-hyped orgy scene is more creepy than sexy, run by a cabal of rich and powerful men who prey on young women. But Eyes Wide Shut has received a burst of new attention in the last few years, amid constant revelations about a real-life cabal of rich and powerful men who prey on young women. Across the internet, cinema sleuths have been asking: is it possible Eyes Wide Shut was not fictional? Was Stanley Kubrick trying to warn the world about a real conspiracy? And if so… was he murdered for it? In this episode of Decoder Ring, we follow Lane Brown—a lifelong Kubrick fan and features writer for New York Magazine—as he investigates this conspiracy theory and what it says about how we deal with ugly facts and murky fictions. This episode was written and produced by Max Freedman and edited by Willa Paskin. Decoder Ring is also produced by Katie Shepherd and Evan Chung, our supervising producer. Merritt Jacob is Senior Technical Director. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281. Sources for This Episode Barbezat, Michael. “‘Pizzagate’ and the Nocturnal Ritual Fantasy: Imaginary Cults, Fake News, and Real Violence,” The Public Medievalist, May 4, 2017. Brown, Lane. “The Eyes Wide Shut Conspiracy,” New York Magazine, Dec. 17, 2025. Ebiri, Bilge. “An Oral History of an Orgy,” New York Magazine, June 27, 2019. Nicholson, Amy. “The Year Tom Cruise Gave Not One but Two Dangerously Vulnerable Performances,” The New York Times, Aug. 27, 2024. Raftery, Brian. “Dream Team: Cruise, Kidman, Kubrick, and the making of Eyes Wide Shut,” New York Magazine, Apr. 15, 2019. Shapiro, Lila. “What I Learned After Watching Eyes Wide Shut 100 Times,” New York Magazine, July 1, 2019. Hosted on Acast. See acast.com/privacy for more information.

The delicious, healthful prune has long had a cross to bear: It’s best known for making people poop. In the late 1990s, the California Prune Board set out on a quixotic mission to amend this sales-flattening reputation. It would attempt to rechristen this ancient fruit in the hopes the prune could one day be as unencumbered as an apricot, a raisin, or a fig. In a world where every product and person increasingly believes it’s one good rebrand away from changing how they are seen, the story of the prune’s attempt to become the “dried plum” is a telling tale about the impossibility of escaping who you really are—and the freedom that comes with self-acceptance. You’ll hear from Richard Peterson, retired Executive Director of the California Prune Board; food writer and chef David Liebovitz; lawyer and lobbyist Dan Haley; and Kiaran Locy, Director of Brand and Industry Communications at the California Prune Board. This episode was written by Willa Paskin. It was edited by Evan Chung, our supervising producer. It was produced by Katie Shepherd. Decoder Ring is also produced by Max Freedman. Merritt Jacob is Senior Technical Director. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281. Sources for This Episode Barry, Dave. Dave Barry Hits Below the Beltway, Ballantine Books, 2002. Brasher, Philip. “FDA Approves Prune Name Change,” ABC News, Feb. 1, 2001. Brasher, Philip. “Where's the beef? Kids give prune burgers the taste test,” Associated Press, Jan 29, 2002. Cimons, Marlene. “A New Wrinkle for the Prune Industry,” Los Angeles Times, Dec. 21, 1999. Crespi, John M., Harry M. Kaiser, Julian M. Alston, and Richard J. Sexton. “The Evaluation of Prune Promotion by the California Dried Plum Board,” The Economics of Commodity Promotion Programs: Lessons from California, Peter Lang USA, 2005. Davis, Glenn. “French History in Your City: San Jose, California - the Pellier Brothers,” Yale National Initiative, Sep. 2015. Fabricant, Florence. “In France, the Prune Holds a Noble Station,” The New York Times, Oct. 31, 2001. Fabricant, Florence. “Responsible Party: Richard Peterson; Rejuvenating The Humble Prune,” The New York Times, Aug. 13, 2000. Fabricant, Florence. “Underapprecaited: The Humble Prune,” The New York Times, Oct. 12, 1983. A Fortune In Two Old Trunks. Sunsweet, 1947. Fullan, Genevieve. “In Defense of Prunes,” Eater, Jun 21, 2022. Gellene, Denise. “New Wrinkle in an Old Story,” Los Angeles Times, Oct 16, 1997. Good Wrinkles. Sunsweet, 1951. Kamen, Al. “Sunday in the Loop: Plum Outta Luck,” Washington Post, Dec. 11, 1999. Koger, Chris. “Dried plums no longer: California prunes have new brand,” The Packer, Nov. 15, 2022. Lucas, Greg. “Who'd Have Thought? Pruneburgers / Juicy, tender and low-fat, they're surprising hits in school cafeterias,” San Francisco Chronicle, Aug. 9, 1999. Martin, Ronda Beaman. “Stan Freberg—His Credits and Contributions to Advertising,” M.A. Thesis, Texas Tech University, Dec. 1986. McKay, Leonard. “Louis Pellier,” San Jose Inside, Sep. 25, 2006. Morse, Rob. “Hold the prunes, hold the lettuce,” San Francisco Examiner, July 28, 1999. “Prune gets $10 million makeover -- as dried plum,” CNN, Sep. 13, 2000. Rao, Tejal. “In Praise of the Prune,” The New York Times Magazine, Feb. 16, 2017. Roach, Mary. “The power of prunes,” Salon, Nov. 5, 1999. Waters, Michael. “When the Dried Plum Lobby Tried to Make Pruneburgers Happen,” Atlas Obscura, April 13, 2018. Zasky, Jason. “Prunes: Turning Over a New Leaf,” Failure Magazine, Apr. 16, 2002. Hosted on Acast. See acast.com/privacy for more information.

Three weeks ago, U.S. Secretary of the Interior Doug Burgum shared an unusual tweet: a cartoon image of himself with his arm draped around a giant, anthropomorphized lump of coal. This piece of coal has big googly eyes and a smudge of a nose, and is wearing a safety vest and a hard hat. He is, frankly, adorable—and he has a name: Coalie. When Coalie first appeared on the internet, he went viral—ridiculed on social media, in newsletters, and even on late night talk shows. And that’s because this big-eyed, cute piece of coal was widely understood to be coal propaganda, a tool to soften the coal industry’s image. But the truth about Coalie is more complicated. His origins tell a story about what it’s like for federal employees to try to do their work while navigating the Trump administration’s agenda. Coalie may be widely seen as a mascot for coal mining, but that’s not what he was made for. In this episode, you’ll hear from Simone Randolph, Director of Communications for the Office of Surface Mining Reclamation and Enforcement (OSMRE); Sara Eckert, formerly of OSMRE; Slate staff writer Nitish Pahwa; and Leah Stokes, who researches climate and energy policy at the University of California, Santa Barbara and co-hosts the podcast A Matter of Degrees. Thank you to Daniel Raimi, Tony Ho Tran, and Hannah Northey. This episode was written by Willa Paskin and Evan Chung and produced by Evan Chung, Decoder Ring’s supervising producer. Our show is also produced by Max Freedman and Katie Shepherd. Merritt Jacob is Senior Technical Director. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281. Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.

It’s a weird time for culture. There is more of it than ever before, it’s more accessible than ever before, but so little of it feels original. New movies are based on old stories, new songs are recycling old hooks, and fashion trends are cycling so fast that everything’s in. Has our culture grown stagnant? The author and culture critic W. David Marx thinks so. His new book, Blank Space, argues that there is a “blank space” in the 21st century where cultural innovation should be. In this episode, David explains to Willa how culture change worked in the 20th century, what changed after the turn of the millennium, and what we might do about it. This episode was produced by Max Freedman. Decoder Ring is also produced by Willa Paskin, Katie Shepherd, and Evan Chung, our supervising producer. Merritt Jacob is Senior Technical Director. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281. Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.

We are really lucky to get lots of listener suggestions for the show, more good questions than we can possibly answer in a mailbag episode once or twice a year. So we’re starting a new segment we call… Decoder Rings Back! Every month, host Willa Paskin will personally call up a listener to answer their question. In this inaugural installment of Decoder Rings Back, Willa calls up listener Dustin Malek about his cultural mystery: Why did the Mona Lisa, of all paintings, become the most famous in the world, bar none? Willa shares the story of daring heist that turned Leonardo da Vinci’s enigmatic smiling subject into a celebrity. Future episodes of Decoder Rings Back will only be available to Slate Plus subscribers. So if you want to be sure not to miss them, sign up for Slate Plus! You’ll get exclusive episodes and ad-free listening not just on our show, but all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify, or visit slate.com/decoderplus for access wherever you listen. This episode was produced by Max Freedman. Decoder Ring is also produced by Katie Shepherd and Evan Chung, our supervising producer. Merritt Jacob is Senior Technical Director. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281. Sources for This Episode Cumming, Laura. “The man who stole the Mona Lisa,” The Guardian, August 5, 2011. Hoobler, Dorothy, and Thomas Hoobler. “Stealing Mona Lisa,” Vanity Fair, April 16, 2009. Hoobler, Dorothy, and Thomas Hoobler. The Crimes of Paris: A True Story of Murder, Theft, and Detection, Bison Books, 2010. Isaacson, Walter. Leonardo da Vinci, Simon & Schuster, 2018. Roberts, Sam. “Happy Birthday to the Man Who Stole the Mona Lisa and Took It to Italy,” The New York Times, October 7, 2022. Sassoon, Donald. “Mona Lisa: The Best-Known Girl in the Whole Wide World,” History Workshop Journal, Spring 2001. Sassoon, Donald. Mona Lisa: The History of the World’s Most Famous Painting, HarperCollins, 2016. “The Theft That Made The 'Mona Lisa' A Masterpiece,” NPR, July 30, 2011. Zug, James. “Stolen: How the Mona Lisa Became the World’s Most Famous Painting,” Smithsonian Magazine, June 15, 2011. Hosted on Acast. See acast.com/privacy for more information.

Hark, the holiday season is upon us—and with it the most solemn of festive traditions: a gift guide! In this video and podcast special, Slate hosts Dana Stevens, Chris Molanphy, and Willa Paskin beam-in from their collective hearths to deliver unto the internet their favorite gifts for culture lovers this holiday. In addition to sharing gifts, they also discuss the cultural artifact that is the “holiday gift guide,” and its history going back to the early 20th century, up to the modern day. See the entirety of the 1910 gift guide Our Special Holiday Gift-Book from Greenhut-Siegel Cooper, and Esquire’s ultra-mod gift guide from 1961. Check out our gift recommendations below: Dana Stevens’ Cozy Movie Night-In: The Salbree Collapsible Silicone Microwave Popcorn Popper & Amish Country Popcorn L'agraty Chunky Knit Blanket Throw The Adventures of Antoine Doinel, The Criterion Collection Box Set Chris Molanphy’s Hit Parade Collection: The Beatles’ Revolver CD Box Set Mad Men Blu-Ray Box Set Can't Slow Down: How 1984 Became Pop's Blockbuster Year, by Michaelangelo Matos Willa Paskin’s Fruit-Themed Trompe-l'œil Housewares: Cantaloupe-shaped bowls in the style of Bordallo Pinheiro 4-Pack Orange-Shaped Candle Stocking Stuffer Cherry-Shaped Toilet Brush The Slate Culture Gift Guide is produced for Slate Studios by Benjamin Frisch and Micah Phillips, with Meryl Bezrutczyk and Andrew Harding. Hosted on Acast. See acast.com/privacy for more information.

Decoder Ring listeners write in with some excellent mysteries, and for our last episode of the year we’re solving three of them. Why do children play in boxes full of sand? Why do rock bands pretend like the show is over when everybody knows they’re coming back for an encore? And what was up with those school assemblies where you’d get to skip class to learn about…yo-yos? The voices you’ll hear in this episode include yo-yo masters ”Dazzling Dave” Schulte and Dale Oliver, children’s book author Rob Peñas, Pulitzer Prize-winning design critic Alexandra Lange, and music journalists Brian Wise, Michael Walker, and Travis Andrews. You can find all the music from the segment about encores in this YouTube playlist. This episode was produced by Max Freedman, Katie Shepherd, and Evan Chung, Decoder Ring’s supervising producer. Merritt Jacob is Senior Technical Director. We had additional production from Joel Meyer. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281. Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.

Videomate: Men was a VHS tape released in 1987 featuring 60 single men pitching themselves as dates to women on the other side of the TV screen: “The love of your life could be on your TV tonight!” the box reads. In retrospect, Videomate: Men is a bizarre and hilarious time capsule, but at the time it was one of many manifestations of what was known as video dating. To find out how anyone thought this was a good idea, Decoder Ring examines the weird and forgotten world of video dating in the 1970s, ’80s, and ’90s to find out why video dating once seemed like the future—and if that future is still yet to come. On this episode, originally released in 2019, we talk to the creators of the Found Footage Fest, VHS collectors who unleashed Videomate on the internet; ask the creators of video dating services like Videomate’s Steve Dworman and Great Expectations’ Jeffrey Ullman what they were thinking; and talk to participants who used these services but not necessarily in the way that was intended. We’ll also discuss the future of video dating with Coffee Meets Bagel co-founder Dawoon Kang and former host of The Longest Shortest Time Andrea Silenzi. This episode was written by Willa Paskin and was produced and edited by Benjamin Frisch. We had research assistance from Cleo Levin. Decoder Ring is produced by Katie Shepherd, Max Freedman, and Evan Chung, our supervising producer. Merritt Jacob is Senior Technical Director. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com, or leave a message on the Decoder Ring hotline at 347-460-7281. We love to hear any and all of your ideas for the show. Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Americans are currently besotted with protein. It’s touted as being good for muscle growth, weight loss, skincare, mental acuity, longevity, and much else besides. It’s sold to men, women, children, the elderly— you can even buy protein for your pets. The protein supplement market alone is worth $21 billion and growing—and extra protein is being added to coffee, cereal, pasta, beer, ice cream, and popcorn. But as frenzied as we currently are about protein, this is not the first protein boom—or even the second. Protein has been promoted as a charismatic, cure-all nutrient for nearly two centuries. In this episode, with the help of Samantha King and Gavin Weedon, the authors of Protein: The Making of a Nutritional Superstar, we look closely at all our protein crazes and their associated protein products—from beef tea to whey powder—and see what they can tell us about our current protein mania. This episode was produced by Max Freedman. Decoder Ring is also produced by Willa Paskin, Katie Shepherd, and Evan Chung, our supervising producer. We had editing support from Josh Levin and fact-checking by Sophie Summergrad. Merritt Jacob is Senior Technical Director. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281. Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Sources for This Episode King, Samantha and Gavin Weedon. Protein: The Making of a Nutritional Superstar, Duke University Press, 2026. Baker, Ryan. “Protein has become America's latest obsession. Companies like General Mills and PepsiCo are capitalizing on it,” CNBC, July 22, 2025. Brock, William H. Justus von Liebig: The Chemical Gatekeeper, Cambridge University Press, 1997. Callahan, Alice. “The More Protein, the Better?” New York Times, April 9, 2025. Draper, Kevin. “America’s Protein Obsession Is Transforming the Dairy Industry,” New York Times, July 16, 2025. Gayomali, Chris. “Big Food Gets Jacked: How protein mania took over the American grocery store,” New York Magazine, Feb. 12, 2025. “The Great Protein Fiasco,” Maintenance Phase, Aug. 31, 2021. Liebig, Justus von. Researches on the Chemistry of Food, Taylor and Walton, 1847. McLaren, Donald S. “The Great Protein Fiasco,” The Lancet, 1974. Oncken, John. “Stingy, 'half-way' dairy farmer's curiosity changed the world,” Wisconsin State Farmer, April 27, 2022. “Subject of Whey Disposal Discussed in UW Bulletin.” Wausau Daily Herald, Aug. 28, 1965. Torrella, Kenny. “You’re probably eating way too much protein,” Vox, Jan. 30, 2024. Wilson, Bee. “Protein mania: the rich world’s new diet obsession,” The Guardian, Jan. 4, 2019. Wu, Katherine J. “Should We All Be Eating Like The Rock?” The Atlantic, Aug. 28, 2023. Hosted on Acast. See acast.com/privacy for more information.

Autumn may have more cozy signifiers than any other season—though we all have our own favorites. Maybe for you it’s sweater weather, football games, spooky season, apple picking, leaf peeping, or mainlining candy corn. Whatever it is, in today’s episode we’re looking closely at three of these autumnal staples. First, we get to the bottom of a recurring complaint about the taste of the pumpkin spice latte. Then we gaze deep inside the enigma hiding inside colorful fall leaves. Finally we ask some hard-hitting questions about the seasonal availability of an elusive cookie. Snuggle up and enjoy! In this episode, you’ll hear from author and podcaster Don Martin who has a new audiobook out about loneliness called Where Did Everybody Go?. We also speak with Simcha Lev-Yadun, professor of botany and archeology; Susanne Renner, botanist and honorary professor of biology at Washington University in St. Louis; and Prospect Park Alliance arborist Malcom Gore. And you’ll also hear from Lauren Tarr, who runs the blog Midlife Moxie and Muscle, and her mother Grace Dewey, along with Caroline Suppiger, brand manager at Mondelēz. We’d also like to thank Brian Gallagher, Tom Arnold, Sylvie Russo and Laura Robinson. This episode was produced by Katie Shepherd. Decoder Ring is also produced by Willa Paskin, Max Freedman, and Evan Chung, our supervising producer. Merritt Jacob is Senior Technical Director. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281. Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.

There’s a ubiquitous prop in just about every police procedural and conspiracy thriller: a cork board pinned with documents, newspaper clippings, and Polaroid photos, all connected by a web of red string. They go by many names, including pin boards, string boards, evidence boards, investigation walls, conspiracy walls, and walls of crazy. These boards can be vehicles of insight or manifestations of madness—and in many cases, both. But where did they come from? And can they really solve a crime? In this episode, we try to unwind the red string board all the way to its center. To aide in our investigation, we enlist the help of Aki Peritz, a former CIA analyst and the author of Disruption: Inside the Largest Counterterrorism Investigation in History. You’ll also hear from Shawn Gilmore, editor of The Vault of Culture and creator of the Narrative String Theory project; and Dr. Anne Ganzert, author of Serial Pinboarding in Contemporary Television. And we learn about the intricacies of building a string board from production designers Michael Scott Cobb (It’s Always Sunny in Philadelphia) and John D. Kretschmer (Homeland). This episode was written and produced by Evan Chung, Decoder Ring’s supervising producer. It was edited by Willa Paskin. Decoder Ring is also produced by Katie Shepherd and Max Freedman. Merritt Jacob is Senior Technical Director. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281. Sources for This Episode Benson, Richard. “Decoding the Detective's 'Crazy Wall',” Esquire, Jan. 22, 2015. Coley, Rob. “The case of the speculative detective: Aesthetic truths and the television ‘crime board’,” NECSUS, May 28, 2017. Ganzert, Anne. Serial Pinboarding in Contemporary Television, Palgrave Macmillan, 2020. Gilmore, Shawn. “Narrative String Theory,” The Vault of Culture. McGarry, Andrew. “Did Orwell's nightmare Nineteen Eighty-Four inspire the Snowtown murders?” Australian Broadcasting Corporation News, May 21, 2019. Peritz, Aki. Disruption: Inside the Largest Counterterrorism Investigation in History, Potomac Books, 2021. Peritz, Aki. “The FBI Is Going Crazy-Stringboard Crazy,” Slate, Feb. 1, 2022. Stiehm, Jamie. “My So-Called Bipolar Life,” New York Times, Jan. 17, 2012. Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1993, more than 10 years into the AIDS epidemic, the Metropolitan Community Church of San Francisco (MCC-SF) tries to remember all they’ve lost. We think about remembering too after encountering an archive of 1,200 cassette recordings of this queer church’s services during the height of the epidemic. Whether you’re a regular church goer or would never step into one, we invite you to spend time with this LGBTQ+ San Francisco church as it struggles to reconcile sexuality and faith in the midst of an existential crisis. For images and links about this episode visit https://www.heavenpodcast.org/episode-1. About the montage: The worship service in this episode was on February 28, 1993. The Dyke March proclamation was written and read by Rev. Lea Brown. Rev. Karen Foster read the statement that sexual orientation does not need to be changed. Jim Mitulski recalled his hospital visit with the man who recognized him by his shape. Paul Francis told strangers at a restaurant to get ugly lovers and Eric Rofes told his mother that he was going to stay safe and keep having sex. Cleve Jones had the vision of a thousand rotting corpses, Rev. Ron Russell Coons preached that we have AIDS as a community, and Rev. Troy Perry proclaimed a revival on Eureka Street. The other people heard in the episode are either unknown or did not want to be named. When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit http://heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco’s archive. It was performed by MCC-SF’s musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Tasty Morsels. Thanks to Paul Katz and Henry Machen for permission to use “June in San Francisco” from their fabulous 1991 musical Dirty Dreams of a Clean Cut Kid. The estate of Leonard Bernstein for the use of “Somewhere” from West Side Story. Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible. Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.

Earlier this year, a tweet went out from the official account of the Democratic Party, tagging the Trump advisor Stephen Miller. It was an image of what appeared to be a simple hotel room chair. But for those in the know, it was much more than that: It was a “cuck chair,” an online meme straight out of a popular genre of hardcore pornography in which a man watches his partner have sex with another man. How did we get to a place where the Democrats could flame a political opponent with an image out of cucking porn and have millions of people immediately understand it? In this episode we trace the complicated and intricate history of the cuck. It’s a history that includes everything from Jacobean dramas to World War II pilots to, yes, pornography, as well as a host of deeply American prejudices that have become a lot less submerged over the last 10 years. And we also situate the cuck within a larger context, one in which porn is the elephant in the room of American culture. It’s a potent force, shaping and reflecting our very wants and desires and it is constantly seeping into mainstream culture—and yet we don’t analyze, critique, or even talk about it very much because, well, it’s porn. In this NSFW episode, you’ll hear from: Slate staff writer Luke Winkie who wrote about the tweet that kicked this episode off; Samantha Cole, one of co-founders of 404 Media and the author of How Sex Changed the Internet and the Internet Changed Sex; Jennifer Panek, professor of English at the University of Ottawa; sex therapist and clinical psychologist Dr. David S. Ley; Dr. Justin Lehmiller, social psychologist, senior research fellow at the Kinsey Institute, and podcast host; Mireille Miller-Young, associate professor of feminist studies at UC Santa Barbara and the author of A Taste for Brown Sugar: Black Women in Pornography, and New York Magazine tech columnist John Herrman. This episode was written by Willa Paskin. It was edited by Josh Levin and produced by Katie Shepherd, Willa Paskin, Max Freedman, and Evan Chung, Decoder Ring’s supervising producer. Merritt Jacob is Senior Technical Director, and we had help from Sophie Summergrad. We’d also like to thank Gabriel Roth, Talia Lavin, Tatum Hunter, Rebecca Fasman, Jessica Stoya, Aiden Starr, Perrin Swanmoore, Sophie Gilbert, and Kevin Heffernan, who was a fount of knowledge. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281. Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.

When an actor opens their mouth to sing in a movie, chances are high that the voice you hear will be their own. Even in music biopics, movie stars without much singing experience regularly go to great lengths to impersonate the most beloved vocalists of our time. Why not simply play Johnny Cash or Bruce Springsteen’s actual recordings, the reasons why we care about them in the first place? When the world is full of beautiful singing voices, why force Pierce Brosnan to bray his way through Mamma Mia? What you hear when an actor unhinges their jaw is a matter that Hollywood has been negotiating since the dawn of sound. So in this episode, we’ll learn about the “ghost singers” of classic Hollywood musicals, find out why they went extinct, and why today’s music biopics so often fudge the music. Then we leave Hollywood for Bollywood, where the rise of the celebrity “playback singer” shows what can happen when good singing is the highest priority. In this episode, you’ll hear from Slate’s pop music critic Jack Hamilton; musicologist Dominic Broomfield-McHugh, editor of The Oxford Handbook of the Hollywood Musical; Stephen Cole, co-author of a memoir by the ghost singer Marni Nixon; Isaac Butler, longtime Slate contributor and scholar of American acting; and Nasreen Munni Kabir, who has written several books on Hindi cinema and curates Indian films for the UK’s Channel 4. If you want to listen to any of the songs you heard in this episode in full, you can find them all on this Spotify playlist. This episode was written and produced by Max Freedman. It was edited by Willa Paskin and Evan Chung, our supervising producer. Decoder Ring is also produced by Katie Shepherd. Merritt Jacob is Senior Technical Director. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281. Sources for This Episode Basinger, Jeanine. The Movie Musical! Alfred A. Knopf, 2019. Beaster-Jones, Jayson. Bollywood Sounds: The Cosmopolitan Mediations of Hindi Film Song, Oxford University Press, 2015. Butler, Isaac. The Method: How the Twentieth Century Learned to Act, Bloomsbury, 2022. Hamilton, Jack. “The Problem With Music Biopics Is Bigger Than Just the Cliches,” Slate, May 17, 2024. Kabir, Nasreen Munni. Lata Mangeshkar ...in Her Own Voice, Niyogi Books, 2009. Nixon, Marni with Stephen Cole. I Could Have Sung All Night: My Story, Billboard Books, 2006. Robbins, Allison. “‘Experimentations by Our Sound Department’: Playback Stars in 1930s Hollywood.” Star Turns in Hollywood Musicals, edited by Chabrol Marguerite and Toulza Pierre-Olivier, Presses universitaires de Paris Nanterre, 2017. Srivastava, Sanjay. “Voice, Gender and Space in Time of Five-Year Plans: The Idea of Lata Mangeshkar,” Economic and Political Weekly, vol. 39, no. 20, 2004. Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

In part two of our special two-part episode, we return to the 1982 VHS tape that created the at-home video industry: Jane Fonda’s Workout. On this episode, originally released in 2020, we deconstruct the tape itself, how it was made, and why anyone thought it was a good idea in the first place. Then we’ll explore how it was possible for an extremely polarizing political activist, despised by some for her activism during the Vietnam War, to become America’s premier exercise guru. It’s a story that involves one enterprising home video visionary, dozens of ridiculous celebrity workout tapes, Tricky Dick Nixon, and one very full life. Some of the voices you’ll hear on this episode include Jane Fonda; Court Shannon, former Karl Video employee; and Mary Hershberger, author of Jane Fonda’s War. This episode was written by Willa Paskin. It was edited and produced by Benjamin Frisch. We had research assistance from Cleo Levin. Decoder Ring is produced by Katie Shepherd, Max Freedman, and Evan Chung, our supervising producer. Merritt Jacob is Senior Technical Director. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com, or leave a message on the Decoder Ring hotline at 347-460-7281. We love to hear any and all of your ideas for the show. Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.